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Words near each other
・ Master of the Mercers' Company
・ Master of the Mint
・ Master of the Mix
・ Master of the Moon
・ Master of the Moor
・ Master of the Morrison Triptych
・ Master of the Nets Garden
・ Master of the Ocean
・ Master of the Order of Preachers
・ Master of the Ortenberg Altarpiece
・ Master of the Osservanza Triptych
・ Master of the Pallant Altarpiece
・ Master of the Parement
・ Master of the Passion of Christ
・ Master of the Perkins Saint Paul
Master of the Playing Cards
・ Master of the Prado Adoration of the Magi
・ Master of the Prayer Books of around 1500
・ Master of the Prodigal Son
・ Master of the Queen's Music
・ Master of the Rajhrad Altarpiece
・ Master of the Rebel Angels
・ Master of the Registrum Gregorii
・ Master of the Regular Canons' Altarpiece
・ Master of the Retablo of the Reyes Catolicos
・ Master of the Revels
・ Master of the Rings
・ Master of the Robes
・ Master of the Rolls
・ Master of the Rolls in Ireland


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Master of the Playing Cards : ウィキペディア英語版
Master of the Playing Cards

The Master of the Playing Cards was the first major master in the history of printmaking. He was a German (or conceivably Swiss) engraver, and probably also a painter, active in southwestern Germany from the 1430s to the 1450s, who has been called "the first personality in the history of engraving."〔Alan Shestack; Fifteenth century Engravings of Northern Europe;1967, National Gallery of Art, Washington (Catalogue), LOC 67-29080〕 Various attempts to identify him have not been generally accepted, so he remains known only through his 106 engravings, which include the set of playing cards in five suits from which he takes his name. The majority of the set survives in unique impressions, most of which are in the Kupferstichkabinett, Dresden and the Bibliothèque nationale de France in Paris.〔 A further eighty-eight engravings are regarded as sufficiently close to his style to be by his pupils.〔Lehrs, Max. Geschichte und kritischer Katalog des deutschen, niederländischen und französischen Kupferstichs im XV. Jahrhundert (Vienna: Gesellschaft für vervielfältigende Kunst, 1908-1934): vol. I, pp. 63-207〕
==Style==
It has long been recognised that his style was closely related to that of paintings from south-western Germany and Switzerland in the period 1430-50, by artists of whom the best known is Konrad Witz. In addition the Alpine cyclamen very frequently appears in the engravings. Although an identification proposed by Leo Baer of him with Witz has not been accepted, he does appear to have been trained as an artist rather than a goldsmith like many early engravers. His prints show an engraving technique closely related to drawing, with forms conceived in three dimensions and delicately modeled; engravers trained as goldsmiths, such as Master E. S. or Israhel van Meckenem, have a different set of stylistic conventions.〔 His shading is mostly parallel vertical lines, and cross-hatching is rare.〔''A History of Engraving and Etching'', Arthur M. Hind,p 20-21, Houghton Mifflin Co. 1923 (in USA), reprinted Dover Publications, 1963 ISBN 0-486-20954-7〕
Apart from comparisons with paintings, the start of his period of activity can only be dated to before 1446 by a dated print by his presumed pupil the ''Master of 1446''. The fact that he had a mature pupil suggests that he himself had been active for many years by that date.〔
Prints by the Master very rarely come on the market, but on 20 September 2006 Christie's London auctioned an impression of the ''Queen of Flowers'' for £243,200 (about $450,000).

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